ah teaches graphic design (SD-36) (Seeing How We See lecture)

Seeing How We See

Lecture outline

Perception and design principles. Lecture slides will be made available on the day of the lecture (Sept 18).

A blurry photo

Seeing How We See

Critique

Critique is a communication skill. Effective critique requires reading/listening, responding, and practice.

Bias

"[Our] perspectives are coloured by our habits, beliefs, and attitudes."
Erika Hall

Effective critique is...

Why critique matters

Effective critique can:

Ineffective critique is...

Critique context

Before giving critique, it is always important that you understand what the project is, and where it is at. This helps ensure your feedback will be timely and purposeful.

Today's critique

A reminder that we are looking for our critique to:

Today's critique

Our approach

We will be taking the 'I like/I wish' approach for today's critique: Please start each critique with either 'I like' or 'I wish'.

Today's critique context
A series of visual brain dumps

Any questions?

Design Thinking

Last week

  1. Define
  2. Research
  3. Ideate
  4. Choose
  5. Try
  6. Learn (and repeat)

Design Thinking

This week

  1. Define
  2. Research
  3. Ideate
  4. Choose
  5. Try
  6. Learn (and repeat)

Bauhaus

The 1920's to 30's

The Bauhaus Font

ITC Bauhaus Typeface

Form Follows Function

An outline of the Bauhaus' design course

The Bauhaus 'design' course

Inter-disciplinary Teaching

A poster for an exhibition by Kandinsky

Kandinsky Exhibition Poster by Herbert Bayer (1926)

How to choose ideas

Getting good at picking ideas to further refine requires an understanding of the purpose of the design, the principles that define good content structure, and critique.

An illustration demonstrating visual rhythm

Design principles

What are some of the things a point can represent?

What are some of the things a line can represent?

What are some of the things a plane (not the air kind) can represent?

The Visual Form

Consider what does the visual form afford us that other forms — i.e. auditory, tactile — do not?

Good content structure

Good content structure helps direct and guide a viewer through the content actively. We are going to recap a number of design fundamentals that help us build better structures.

Sequence of cognition

A simplified overview for the purposes of our class:

First is shape.

A layout with a series of shapes representing the positioning of content

Second is colour.

We will skip this one for now as we will discuss colour/meaning later in the course.

Third is form.

A layout with a series of shapes representing the positioning of content

Gestalt

Next in our order of cognition

A psychological theory that our minds self-organize disparate elements into a unified whole. Can you see the 'shape' in this picture?

A series of dark blotches on a white background that contain the shape of a dog if recognized

Building Relationships

Gestalt theory offers us tools for building meaningful visual relationships.

Figure & Ground

Gestalt theory

A series of sketched frames with birds in them. The second and third frames contain a dark and light fill to help demonstrate contrast

Proximity

Gestalt theory

Things that are closer are more related.

A sketch with a mouse next to the word 'cat', and a cat next to the word 'dog'

Space

Helps to clarify relationships and direct attention.

A sketch of a spread with one page filled with content and the other with only one element in the center of it

Similarity

Gestalt theory

Things that are similar are more related.

A sketch illustrating a collection of different elements on two separate pages, some similar, some not

Harmony and unity

Things that appear similar will help give us a sense of cohesion to a visual language.

A sketch illustrating a collection of different elements on a spread of pages, most dissimilar

Scale and hierarchy

Helps to build an understanding of relationships.

A sketch with the first page illustrating larger text above smaller text, and the second page illustrating smaller text above larger text

Continuance

Gestalt theory

We will build relationships between things that track along an expected line.

A sketch of a spread with the illustrated boxes following an expected pattern
A sketch of a series of spreads illustrating symmetrical to more assymetrical balance in layout

Balance helps to direct and focus attention

A poster for an exhibition by Kandinsky

Gestalt applied

A sketch with two frames, one illustrating the head and the other the feet of a bird

Framing can direct attention and change the message

A sketch with three frames, the two smaller frames illustrating the head and feet of a bird which are portions of the larger frame, which shows the bird destroying a building and people running away

Framing can direct attention and change the message

A sketch of a layout with a photo of ducks feet at the top of the layout which align with text below the framed photo

Continuance (and other Gestalt principles) can apply to build relationships with framed elements as well

Order of cognition continued

  1. Basics: colour, depth, form
  2. Grouping: Gestalt
  3. Memory: connections
  4. Recognition: connections applied and understood
P1: Process

To the computers

For more on Figma.

Reflection #1
Using the Basics sketch

During critiques

While I meet with you in small groups to get you feedback on your deliverables, this is open time for you to work on:

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